There is one plaintive refrain common, with scant variation, to all writers, and it goes something like this: committing words to the blank page is painfully difficult, endless, and frustrating. No one is immune. It never gets easier. It never fades. It cannot, cannot be conquered--no matter how diligently or long you practice the craft. This is not that phantom known as "writer's block", which is usually ephemeral. This difficulty is just one of the many threads that are woven into the writing life, though it is particularly tensile. It is omnipresent , like breath: when you are most deeply involved in the life of your words, it fades into the background.
The blank page holds up terror and promise in equal portions. The mystery behind the process is opaque--no one ever really figures out its source, or unravels the magic of its drive. Words and ideas mix, we pick and choose which fit best, we invent our own rhythm. I am convinced that not knowing the root origin of our ability is where the terror comes from. Just because you have done something once, does not mean that you can expect to do it again. Yet, you always, always do. The gift is never sucked dry...though the very thought of that possibility can keep you up nights.
Facing a version of this every time that you sit down to write can, after awhile, be quite tiresome. Writing is a draining craft (fortunately it has an upside full of more intangible rewards than nearly anything else on earth). Sometimes, it is easier or more desirable to do anything other than put words to paper. Walk the dog? Drink a pot of coffee while doing a crossword puzzle (hey, you could learn a new word or fact that way)? Watch a marathon of Judge shows on television? Fold laundry? Daydream about how famous and esteemed you will be one day, after you have finished your next novel or short story collection?
This latter trap is ominous and gaping--to such a degree that, if you are not careful, can turn a temporary break from writing into a permanent one. Writers are, of course, an imaginary lot. We are dreamers. We are exceptionally gifted at crafting fictional worlds, alternate universes, and fantastical events. It can be all too easy to drift into these mind-places, these other states of being. Staying focused when there is no one standing over you demanding that things get done is immensely difficult, even if your level of self-discipline is higher than most. You are your own worst critic and come equipped with an instinct that only you possess. This is not enough: you must also be your own boss. You are the only one with the clout to lay down rules and goals, and make sure that they are followed.
A gift for imagination, words and plot is, of course, an essential part of any writer's tool-kit. However, you must also arm yourself with the grit and wherewithal to stick to it through everything that is thrown across your path: boredom, laziness, confusion and doubt. This is often the only difference between a successful writer and a floundering one.
Tuesday, July 28, 2009
Thursday, July 23, 2009
Tuesday, July 21, 2009
Literary Oddments: Shopping for the Bookworm

There are readers, there are book-lovers and, then, there are book fanatics, for whom words and writers become a wondrous, enveloping way of life. The literary thrill does not end when the front cover falls shut. It can be chased, captured, enjoyed in any of the thousands of products directed toward the bookworm. This space will serve to cast a light onto some of the lit-based goods available.
As a child, I loved to lend books to my friends. I took great pride in allowing them to "check out" any volume that I was willing to briefly part with. Like any good librarian, I made sure to record the due date on the little card I attached to the inside back cover of every book. It is with some wonder that I record my failure to become a librarian when I grew up, though it seemed a natural fit at the time. I am too chained to the writing life to be a librarian. I would rather assemble words than record their migrations.
I recently came across some Vintage Library Book Pockets on Etsy. I just had to smile. They are self-adhesive and come in a pack of 50. At $8.00, they are nearly irresistible. I am still in the habit of gingerly, and with much instruction, lending books to friends. Perhaps I should once again indulge in the orderly joy of assigning due dates. Over the top? Only to those not in the know.
Please check THIS out.
Shop: ButlerandMaid
Where:Etsy.com
What:50 Library Book Pockets
Price:$8.00
Bookworm Rating: 4 out of 5
Image courtesy of: ButlerandMaid
Sunday, July 19, 2009
INSPIRATION BOARD-19 July 2009

Creativity not only begets creativity, it inspires it in others. Right now, I am finding inspiration from some pretty impressive sources.
- Colin Hay-I was a very lucky (belated) birthday girl last Wednesday, 15 July. The Chef surprised me with tickets to the Colin Hay show at the Southgate House across the river, in Newport, KY. I had no idea until we walked up to SH, where I had never been, and saw the sign announcing that evening's act. The intimacy of the venue was a perfect fit for his sort of artistry: it let his impeccable songwriting skills and subtle voice shine. Days later that voice--and those words--still echo in my mind. It is a 'Beautiful World', indeed. Click here.
- "Write something to suit yourself and many people will like it; write something to suit everybody and scarcely anyone will care for it."-Jesse Stuart
- It is probably small surprise that I am a passionate supporter of Etsy. It is my favourite on-line shopping destination. Right now, I am quite in love with Austin Modern. The shop features amazing Mid Century goods, as well as assorted awesome wares from the earlier Art Deco period. My two current favourite offerings? Art Deco letter press type face ( a full set) and a luscious chrome club chair from the same era. Click here to go there.
- I am slightly stunned by the above image, and not just because I bear a strong resemblance to the woman at the center. The 1920's is a vast source of inspiration for me: from art to literature, film to fashion, politics to pop-culture I find it full of energy, complexity, and beauty. There is a freshness and vigor to the tableaux in the advertisement, as well as a sense of unreality, however understated (which is, perhaps, typical of most advertising). Playing a gramophone sea-side seems much more sophisticated than bopping along to an Ipod. Ah, well: life was not meant to be static.
- It always comes back to Neruda, Pablo Neruda. "May whatever breaks/be reconstructed by the sea/with the long labor of its tides./So many useless things/which nobody broke/but which got broken anyway." (from ODE TO BROKEN THINGS)
USEFUL READS: The Glimmer Train Guide to Writing Fiction Inspiration and Discipline
For writers, there is no such thing as shop-talk. What we do cannot be separated from who we are, cannot be compartmentalized into its own box. It is as expansive and necessary as breathing or blinking. Therefore, we can be very wordy when the subject at hand turns to our words. Whether we are discussing the technical (the fundamental underpinnings of an article or story) the personal (plot, characterization, voice) or the idiosyncratic (writing patterns, philosophy), we can go on and on, until our passion invokes boredom or annoyance in any non-writer listeners. This is not something that can be easily turned off, or satisfied with a quick "this is how my day went" briefing. Yet, speaking to someone who is not engaged in the writing life can often result in feelings of impotence, frustration, and misunderstanding. Explaining why you write is either the easiest or toughest thing in the world, depending on who is at the other side of the conversation.
My significant other--The Chef--is smart, astute, and possesses a large vocabulary. He recognizes my talent but does not begin to know the need I have to write, what it is that compels me to maintain such loyalty and dedication to something that is so hard-to-focus or pin-down. There is nothing immediate to show for writing except words on a page: concrete gratification is often long-delayed and far-short of what, seemingly, such hard work deserves. This is why the writing life is one of such abiding, enveloping loneliness; for who, but another writer, can begin to approach any coherent, compassionate understanding of what it is we do?
The Glimmer Train Guide to Writing Fiction Inspiration and Discipline Edited by Susan Burmeister-Brown and Linda B. Swanson-Davies is a squat little window into the strange, amorous and often isolated world of the writer. To be a writer is always to be the oddest person in a room. You could be surrounded by a bearded lady, a fire-eater, a con artist and a hobo, and chances are that you will be the one to come off as a childish slacker. It goes, however unfairly, with the territory. You eventually become accustomed to being viewed as a dreamer with unrealistic expectations by your nearest and dearest: trying to explicate the inner drive to write is simply too difficult.
Reading The Glimmer Train--made up of interviews from Glimmer Train Stories--is like having fabulous, enlightening, and intimate chats with your peers. Although I leaned a few pointers, the book is, for me, not so much a how-to of the writing game but a how-to-survive-the-writing-life guide. It cuts a deep swathe through the layers of isolation and misunderstanding inherent in such a lifestyle. It is sated with words of wisdom, humour, hope and shared perspective.
The interviews are served up, bite-sized, covering all manner of subjects: technique, inspiration, family, art, lifestyle, support, to name a few. What becomes apparent after a few pages is how much in common they--and we--have, in spite of differences in gift, genre,voice, and approach. Almost everyone, it seems, writes because they have no choice, because they cannot imagine not writing, because they are compelled to from some deep and unknowable source. They would write even if no one ever read their words.
The instructional part, for me, was in seeing how different writers approach the immensely painful, lonely, yet joyous task at hand; to see how they discipline themselves to do what is just damn hard work, day in and day out. Aside from that, nearly every page contains multiple gems, presents alternate but easy-to-relate to ways of thinking.
Perhaps the most impactful bit of advice, for me personally, comes from Richard Bausch, of whom I had never before heard. Instead of thinking of writing as an uprooting --of digging things up from deep within--he envisions it as a winding path, endless, where anything can present itself to you. I find that to be beautiful, insightful, doable.
This is a must-have for any writer ever in need of inspiration, understanding, or a pep-talk. It is always within reach of wherever I happen to be writing; it is also often to be found on my bedside table. I know that you, too, will find it well-worth the small investment involved.
I plan on showing the book to The Chef, with the hope that it will help to explain where I am coming from, as reader-writer. I believe that seeing such strong, plain, passionate words out of the mouths of others who share my obsessive sentiments will serve the purpose far better than I could. If, however, that does not work, The Glimmer train will at least provide me with a happy haven.
My significant other--The Chef--is smart, astute, and possesses a large vocabulary. He recognizes my talent but does not begin to know the need I have to write, what it is that compels me to maintain such loyalty and dedication to something that is so hard-to-focus or pin-down. There is nothing immediate to show for writing except words on a page: concrete gratification is often long-delayed and far-short of what, seemingly, such hard work deserves. This is why the writing life is one of such abiding, enveloping loneliness; for who, but another writer, can begin to approach any coherent, compassionate understanding of what it is we do?
The Glimmer Train Guide to Writing Fiction Inspiration and Discipline Edited by Susan Burmeister-Brown and Linda B. Swanson-Davies is a squat little window into the strange, amorous and often isolated world of the writer. To be a writer is always to be the oddest person in a room. You could be surrounded by a bearded lady, a fire-eater, a con artist and a hobo, and chances are that you will be the one to come off as a childish slacker. It goes, however unfairly, with the territory. You eventually become accustomed to being viewed as a dreamer with unrealistic expectations by your nearest and dearest: trying to explicate the inner drive to write is simply too difficult.
Reading The Glimmer Train--made up of interviews from Glimmer Train Stories--is like having fabulous, enlightening, and intimate chats with your peers. Although I leaned a few pointers, the book is, for me, not so much a how-to of the writing game but a how-to-survive-the-writing-life guide. It cuts a deep swathe through the layers of isolation and misunderstanding inherent in such a lifestyle. It is sated with words of wisdom, humour, hope and shared perspective.
The interviews are served up, bite-sized, covering all manner of subjects: technique, inspiration, family, art, lifestyle, support, to name a few. What becomes apparent after a few pages is how much in common they--and we--have, in spite of differences in gift, genre,voice, and approach. Almost everyone, it seems, writes because they have no choice, because they cannot imagine not writing, because they are compelled to from some deep and unknowable source. They would write even if no one ever read their words.
The instructional part, for me, was in seeing how different writers approach the immensely painful, lonely, yet joyous task at hand; to see how they discipline themselves to do what is just damn hard work, day in and day out. Aside from that, nearly every page contains multiple gems, presents alternate but easy-to-relate to ways of thinking.
Perhaps the most impactful bit of advice, for me personally, comes from Richard Bausch, of whom I had never before heard. Instead of thinking of writing as an uprooting --of digging things up from deep within--he envisions it as a winding path, endless, where anything can present itself to you. I find that to be beautiful, insightful, doable.
This is a must-have for any writer ever in need of inspiration, understanding, or a pep-talk. It is always within reach of wherever I happen to be writing; it is also often to be found on my bedside table. I know that you, too, will find it well-worth the small investment involved.
I plan on showing the book to The Chef, with the hope that it will help to explain where I am coming from, as reader-writer. I believe that seeing such strong, plain, passionate words out of the mouths of others who share my obsessive sentiments will serve the purpose far better than I could. If, however, that does not work, The Glimmer train will at least provide me with a happy haven.
Tuesday, July 14, 2009
INSPIRATION BOARD-14 July 2009
After a long-weekend off--my very own home-town-bound mini-holiday--I am struggling to get back into the swing of things. I have not hit the ground running. I have been standing idle, craning my neck, trying to find something,anything, to crank my motivation up a notch or three. My mind is teeming with a thousand big, a million little, ideas. Settling down long enough to commit more than an errant, squirming phrase or two to paper is proving immensely difficult. Spending uninterrupted, calming quality time with family has reminded me to look to the small things for succor and inspiration. I am going to try and apply that lesson to my creativity. Here are a few things that are currently making me think, smile, and give thanks.
- A cuppa and a few McVitie's chocolate digestives make me feel not just like a writer, but an English one. I do not indulge in the latter very often but very few things beat their peculiar and scrumptious wheat-meets-sweet taste.
- The ridiculously vibrant and exotic produce section at Jungle Jim's, a gourmet, international grocery emporium in Cincinnati. They stock an eye-opening variety of vegetables and fruits. I love the artistry of the display; it is a visual reminder that nature's bounty is varied and endless.
- "We do not write because we want to; we write because we have to."-words of infinite wisdom from one of my favourite authors, W. Somerset Maugham.
- Anticipating the August (Age) issue of 'Vogue'. All fashion magazines manage to simultaneously elate me and flat-out piss me off. This is cyclical; this is perpetual. My love of fashion-as-history runs deep. I also love pretty, pretty pictures (something that modern Vogue does not always deliver). I still adore the issue's cover girl, Christy Turlington, who remains as stylish, elegant and principled as ever. Plus, the 'Age' issue of the magazine always exists on the sharpest razor's edge, waffling between dishing out genuine inspiration and gutless irritation.
- Discovering, after all of these years, that I have more in common with my Dad than just a high IQ and love of reading.
- Writing that is utterly unlike my own. Whilst in the midst of much creative writing, I can only read non-fiction or fiction that has a voice and view-point far removed from mine. I am beyond excited that my friend Chrissy has finally started her own blog, A Steampunk Reverie.. Please check it out, you won't regret it: Click here to begin.
- Baseball's All-Star Game. It is held the second Tuesday of July (tonight!), which is always around my birthday. In my mind, the two simply go together. I can scarcely recall a time that I was not a baseball fan. I owe this particular passion to my Grandfather. The game, held this year in St. Louis, is, for me , a hallmark of Summer, relaxed times, and family.
Monday, July 13, 2009
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